Taking a one day break from the woman who had so many children that I didn't know what to do…honestly, she needs a rest.

Instead today I focus on the theme for Sepia Saturday.

It was easy for me to come up with photos of dancers, but not of cross-dressing dancers. I have quite a few cross-dressers in vintage snapshots, but none of them dancers. But women from the early part of the 20th century as so called free spirits dressed as bohemians and gypsies…eventually every collector will find them.

These shots come from the Louise Bigelow Schnabel photo album. I have no idea who any of these ladies are, nor do I know why pretending to be a bohemian gypsy was so popular, but it was. Take a look at this Pinterest page to get an idea of the driving force behind what some women were doing. And an "explanation" was found at Wikipedia under Bohemian Style:
The "Dorelia" look Among female Bohemians in the early 20th century, the "gypsy look" was a recurring theme, popularised by, among others, Dorothy "Dorelia" McNeill (1881–1969), muse, lover and second wife of the painter Augustus John (1878–1961), whose full skirts and bright colours gave rise to the so-called "Dorelia look". Katherine Everett, née Olive, a former student of the Slade School of Art in London, has described McNeil's "tight fitting, hand-sewn, canary coloured bodice above a dark gathered flowing skirt, and her hair very black and gleaming, emphasiz[ing] the long silver earrings which were her only adornment".

And to see an old post I did for Sepia Saturday which also featured women playing gypsy click here.

As to cross-dressing dancers, I don't think there's a more enjoyable troupe than Les Ballets Trockadero de Monte Carlo.

And frankly, I just can't get enough of these guys.